residency

AEGIS: Asia-Europe Generalists in Sojourn
- A trans-local residency programme

The residency programme focuses on encouraging collaborations between creative practitioners and cultural organisations from Asia & Europe, who address global cultural issues (such as adapting to climate change, loss of biodiversity, energy security, etc.) from a transdisciplinary perspective. We particularly focus on supporting young generalists (people able to connect disciplines, such as art & science, ecology & technology) working on creating a holistic and resilient global culture.

In 2010 FoAM expanded the residency programme to include people of all ages. The first experiment was having a "Family in Residence" (FIR), welcoming Alex Davies, Alexandra Crosby and their young son Luka Davies for a three month long residency at FoAM in Brussels. The experience was extremely positive and we concluded that it is an experiment worth continuing.

Corrupted C#n#m# is Angelo Vermeulen's new solo exhibition in the US after his Biomodd [ATH1] project at the Aesthetic Technologies Lab in Athens, Ohio in 2007. Corrupted C#n#m# is an experimental cinema project that explores the physicality of digital media, and draws upon the phenomena of data corruption and data forensics. It's an artistic inquiry into the notion of the material 'body’ in both the digital and the biological realm. Video images stored on different types of digital media are manipulated and disrupted through various biological processes.

Ubiquitous technology and the attrition of civil rights and privacy

"Most of you must have been puzzled on occasion as to what i have been doing here: but I assure you that the most puzzled one has surely been myself..."

More of Alkan's research notes: http://libarynth.org/research_report_alkan

Toilets have been a source of taboo, embarrassment and humour in many cultures. This project explores the subject of toilets and defecation and aims to bring it out in the open. The intent is to create a cafe which makes toilet discussion a table discussion, thereby giving it legitimacy. ‘WcCafe’ would serve coffee and snacks in an environment which is beautiful, refreshing and purposeful.

In progress: http://libarynth.org/wccafe_report

How do artists want to create software? What environments already exist? What new directions are needed?

I research scents and the sense of smell. My challenge is to use them as a medium in art. In the exhibition context I create a spatial expressions with the scents, I give workshops pm extracting the scents (I extract the scents literary from anything: from food to the cloth, flowers to the ink), and I develop unique 'perfumes' with my extracts, not for to be worn, but to be smelled. I use basic chemistry and cooking techniques in my mini-laboratory for extracting the scents.

More information: http://scent-lab.blogspot.com/

The research takes place at the intersection of several networks: art, information and food. Its express intention is to use tools of art (production/curation) to investigate how our daily grocery products are articulated, packaged, distributed and delivered.

PhoEf is a research project exploring the essence, use and abuse of the photovoltaic effect - the conversion of light in electrical energy - in the realms of science, industry, technology and the arts. PhoEf emerged from a personal, transversal flight through the interconnected worlds behind and around photovoltaics; a technology based on A.E. Becquerel's 1839 observation of the photovoltaic effect. PhoEf is embedded in a rich, multidisciplinary, historical context.

In progress: http://libarynth.org/luminous/phoef

The core question of this research is: by what mechanisms can humanity become more conscious of and potentially change, it’s relationship to reality?

Valuator is a study of the contemporary art market, focusing on marketing strategies for new media art sales. The most innovative and challenging of contemporary art practices are not transacted in the mainstream market for current art. To have agency within these spheres of trade, the results of new media art disciplines require a redefinition of: what is deemed collectable; how the price mechanics in fine art are circulated and the preservation instruments used to build the heritage trust necessary for the endorsement of future beneficiaries.

The aim of this research project is to create a place for a materials library, on-site and on-line, where interested parties could find information, observe, touch, create, discover, enjoy, and exchange materials. The on-site library is currently under development at the FoAM lab in Brussels.

In progress: http://libarynth.org/research_report_lina_kusaite

In 2001 I found a book by mathematician Julien C. Sprott called “Strange attractors: creating patterns in chaos”. The book described the mathematics behind a class of fractals called strange attractors. In the book, Sprott presents a computer program which can search for strange attractors by trying many randomly generated equations until one was discovered which met certain criteria. The results were clouds of points which formed interesting organic shapes. each set of equations created a unique set of points.